REVEALED: THIS is what happens in the new AI-generated ending of Dhanush-Sonam Kapoor starrer Raanjhanaa : Bollywood News
On August 1, Not just Son of sardaar 2 and Dhadak 2 but even the re-resurlease of Raanjhanaa‘S (2013) Tamil Version, AmbikapathyHit cinemas. This is the first film that has caused a controversy on its re-release as the studio, eros international, changed the ending of the film using Ai, with the Knowledge and Approval of Its Director, AANAD L Rai. While it was knowledge that the new ending is a happy one, as opposed to the transacious ending of the original version, no one knew how it would be depicted in the film. But now that the film has been released, the cat is out of the bag.
This is what happys in the new ai-generated ending of dhanush-Sanam kapoor starr raanjhanaa
The original ending
Raanjhanaa Ends with an injured kundan (Dhanush) Being brough to the hospital. He vomits blood, to the shock of his childhood friends, Murari (Mohd Zeeshan Ayyub) and Bindiya (Swara Bhasker). Zoya (Sonam Kapoor), The Love of Kundan, Arrives and Caresses The Lifles Body of Kundan.
The al ared ai ending
In the new version, the scene of zoya touching kundan’s face is cut to another shot where kundan can be seen breathing. Murari and bindiya can be seen observing the same from outside the hospital Room. A less seconds laater, both merri and zoya also enter the room and can be seen smiling. Finally, kundan opens his eyes. In the next shot, he wakes up as a celebratory background score is played. The Legendary Final Shot – Featuring the Kid Kundan and Adult Kundan Crossing Paths – Follows and that’s where the film ends.
What has surprised the audience is that ai effect has been brought upon beautiful. In fact, those who have not after the original version would not even be able to determine that the shot of kundan waking up hasn’t shot in real life at all. Meanwhile, there have been reports of shows having good occupance and dhanush’s fans creating a freenzy in cinemas over the new, Happy Ending as Well as Well as Heroic Scenes of Their Favourites actor.
The Controversy
However, the decision to have an ai-altered ending has been to a tiff between the studio and aanand l rai. Yesterday, AANAND Wrote a long post on Instagram, “… I do not support or endorse the ai-altered version of RaanjhanaaIt is unauthorized. I had no role in it. Neither did the team that made the film. And WHATEVER It Claims to Be, it is not the film we intended, or made. This was never just a film to us. It was shaped by human hands, human flaws, and human feeling. What’s now being circulated is not a tribute. It is a reckless takeover that strips the work of its intent, its context, and its soul. The idea that our work can be taken and modified by a machine, then dressed up as innovation, is Deeply disactful…
He further added, “If Raanjhanaa Meant something to you, as it did to us, please know that this ai-alterred version does not reflect who we were. Nor does it carry the spirit of the film we made. “
AANAND L Rai Had Earlier also made his display more clear over the ‘reimagined version’ and shared a statement. Consequently, Eros Issued a Statement Saying, “We at Eros International Media Limited Categorically Reject and Strongly Object to the Unfounded and Sensationalist Remarks Made by Made by Made L. Rai Regarding the Ai-Enhanced Re-Release of RaanjhanaaThese remarks are not only factorly incorrect and misleading, but appear to be a deliberate negative pr stunt designed to distract public and industry Attention from Serious and ONOGAL MATES Concerning Mr Rai and Color Yellow Productions Pvt. Ltd. We View Mr Rai’s Public Outburst, Especially Timed Just Days after these disclosures, as a conscious attempt to shift focus away from the legal and governance is Faces. It is unfortunate that a filmmaker of his stature would Attempt to Conflate Legal Accountability with Creative Victimhood. It would be best if mr rai respectly acknowledges the ownership of IP as per the law of the land and his written undertakings, rather than used media unfairly Thrive on unwarranted sensationalism. “
More pages: Raanjhanaa Box Office Collection , Raanjhanaa Movie Review
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